GQ
•The Long Adolescence of Lucas Hedges
•Dance Battle! Meet the Warring Milli Vanilli of Italo Disco
The New York Times
•Three Lives, and the Tenuous Ties That Bind Them
•In "Careers for Women," the Plot Twists Around the World Trade Center
•Which Books Deserve a Sequel?
•When Is Criticism Unfair?
•What’s the Best Book, New or Old, You Read This Year?
•Is it Still Possible to a Public Intellectual?
•What’s the Best Book about Work?
•Can a Virtuous Character Be Interesting?
•What is the Best Book That’s Been Made Into a Great Movie?
•Do Moralists Make Bad Novelists?
•On Daphne Merkin's The Fame Lunches and Roxane Gay's Bad Feminist
•The Lure of Hard-to-Find Nail Polish
•Does Anyone Here Speak Art and Tech?
•The Nonblond Leading the Blond
newyorker.com
•The Inappropriately Intimate Exchanges of Barbara Browning
•Anorexia, the Impossible Subject
•Nicole Holofcener Nails It
•Choire Sicha, the Anti-Blogger
•Nellie Bly's Lessons in Writing What You Want To
•Francophone Hit, American Letdown
T
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•What Does it Mean to be an Artist and a Mother?
•The Artist Has a Cavity
•In Search of Lost Time in Europe's Sanatoriums
•Anicka Yi is Inventing a New Kind of Conceptual Art
•Navigating Vienna's Imperial Past-- Through Pastries
•In Praise of an Aggressively Ugly Shoe
•The Naked Truth About German Nudists
•Cold Comfort at the Edge of the World
•The Forceful Brilliance of Donatella Versace
•Creature Comforts
•The World’s Most Dedicated All-Natural Perfumer
•Utopia Rules
•Ashley Brokaw: Fashion’s Most Unlikely Power Player
•Not Nothing
•Iris van Herpen’s Intelligent Design
•The Not It Girl
•Margaret Lee’s One-Woman Show
Outside
•Is The Digital Nomad Life As Good As It Sounds?
The Trace
•America, c. 2015: On Mass Shooting Photography
Harper’s
•On Basquiat: The Unknown Notebooks at the Brooklyn Museum
The Atlantic
•The Mystery of Marriage
Vogue
•Has The Fashion Industry Reached a Transgender Turning Point?
n+1
•Horror’s Muse
Slate
•The Completist: Janet Malcolm
The New Republic
•Reviewing the Unreviewable
•Pen Pals
•Is Friendship Better Than Romance?
•The Pseudoscience Wars: Who Safeguards Science?
Lapham’s Quarterly
•Court Jester
The Poetry Foundation
•Mary Oliver and the Nature-esque
•Leigh Stein’s Blinkering, Connected Verse
•Raymond Roussel’s perfect brand of insanity
The Boston Globe
•On living garden ornaments
•On Rosie Schaap’s Drinking with Men
•On Kathleen Alcott’s The Dangers of Proximal Alphabets
•On Charles Yu’s Sorry Please Thank You
•On Maggie Shipstead’s Seating Arrangements
•On Kim Barnes’s In the Kingdom of Men
•On Sarah Manguso’s The Guardians
•On Caitlin Flanagan’s Girl Land
•On Leigh Stein’s The Fallback Plan
•On Tom Zoellner’s A Safeway in Arizona
•On Helen DeWitt’s Lightning Rods
•On Justin Torres’s We the Animals
•On Tom Scocca’s Beijing Welcomes You
•On Nassir Ghaemi’s A First-Rate Madness
•On Ursula Hegi’s Children and Fire
•On Rahul Bhattacharya’s The Sly Company of People Who Care
•On Jon Ronson’s The Psychopath Test
•On Sigrid Nunez’s Sempre Susan
•On Margaux Fragoso’s Tiger, Tiger